News and Updates From Around The Web
The series adaptation of Joe Hill and Gabriel’s graphic novel Locke & Keyrefuses to die. After Fox passed on the pilot written by Josh Friedman and directed by Mark Romanek, the companies behind it, 20th Century Fox, K/O Paper Products and DreamWorks TV, shopped it to other networks, with Syfy expressing interest but ultimately passing. The studio, faced with mounting costs of keeping the production alive, decided to pull the plug on the thriller, letting the actors’ options to expire on June 30 while signing Friedman in an overall deal. (Friedman has already set up a new project at Fox with a put pilot commitment.) Then IDW, the publisher of the Locke & Key comic,organized a screening of the pilot at Comic-Con in July, followed by a panel discussion with executive producers Friedman, Alex Kurtzman and Roberto Orci. And last month, a trailer for the show, presumably cut by Fox in the run-up to the upfronts, leaked online and went viral (video below). Also last month, a DVD of the pilot was given to MTV programming chief David Janollari. I hear he liked it but is yet to meet with the Locke & Key producers, so there has been no real conversation between the two sides. A supernatural thriller would be a major departure for MTV whose current scripted slate consists primarily of high school shows. And many caution that the budget to mount a Locke & Key TV adaptation is likely to be prohibitive for a basic cable network as evident by Syfy’s decision not to pursue the project after crunching the numbers.
Irish model-turned-actress Lisa Nolan obviously hadn’t seen the first season of HBO’s “Game of Thrones” as she was so caught off guard by the nudity in the currently filming second season that she walked off the set according to HBO Watch.
ALA LA Times
Now that many Oscar-contending films have been seen at the Venice and Telluride film festivals, here’s how the race for best picture is shaping up, including some still unseen but highly anticipated contenders. Coming soon: Reactions from the Toronto Film Festival, which starts Thursday.
“Extremely Loud and Incredibly Close”
“The Girl with the Dragon Tattoo”
“The Ides of March”
“The Iron Lady”
“Midnight in Paris”
“A Dangerous Method”
“Harry Potter and the Deathly Hallows — Part 2”
“Martha Marcy May Marlene”
“My Week with Marilyn”
“The Rum Diary”
“The Skin I Live In”
“Tinker Tailor Soldier Spy”
“The Tree of Life”
“We Bought a Zoo”
“We Need to Talk About Kevin”
KatzSmith Productions partners David Katzenberg and Seth Grahame-Smith have just signed a two-year first-look feature producing deal at Warner Bros. While rights are still being worked out, one of their first projects is expected to be a sequel to Beetlejuice, the 1988 Tim Burton-directed hit that starred Michael Keaton as a ghoul hired by a recently deceased couple to drive the new owners out of their house. Burton and Keaton made the movie while they were working on the studio’s first Batman film, which was released the following year. Beetlejuice also starred Alec Baldwin, Winona Ryder and Geena Davis. The film will not be a remake; the intention is to reboot it by advancing the storyline of the original, which was done by The Geffen Company and Warner Bros.
The Warner Bros producing deal grew from the screenwriting work that Grahame-Smith did for Burton on Dark Shadows, currently in production with Johnny Depp heading the cast. While Warner Bros and other studios continue to cut back producing pacts, in KatzSmith the studio gets two partners who while just getting started producing features bring a lot of their own ideas to the table and are established writers and aspiring feature directors.
“We first got to know Seth through his fantastic work on Dark Shadows, and it immediately became a priority to expand our relationship with him,” said Warner Bros production president Greg Silverman. “Seth introduced us to David, who greatly impresses us with the vision for KatzSmith from the very first meeting. We firmly believe in their talents and are extremely excited to welcome them to the Warners family.” WME made KatzSmith’s deal.
Grahame-Smith will write two scripts as part of the deal, and it’s a distinct possibility that Beetlejuice 2 will be one of them. Katzenberg and Grahame-Smith tell me the model for their company is Bad Robot and Imagine Entertainment, where the principals generate many of the ideas that are turned into films. Katzenberg and Grahame-Smith met at CBS, where they worked on a series of humorous webisodes generated by Michael Cera and Clarke Duke. When Katzenberg (the son of DreamWorks Animation chief Jeffrey Katzenberg) wrote and directed a short film about a well-endowed high school nerd, Grahame-Smith produced it and they turned it into the MTV series The Hard Times of RJ Berger. They exec produced that scripted show, each directing episodes. Separately, Grahame-Smith wrote the bestselling novels Pride and Prejudice and Zombies andAbraham Lincoln: Vampire Hunter, and helped start a cottage industry in publishing where literary classics are dusted off and pollinated with supernatural elements. Grahame-Smith wrote the script for the latter film, which Timur Bekmambetov directed and which Fox releases June 22, 2012. Burton produced that film with Bekmambetov, and he hired Grahame-Smith for the Dark Shadowsassignment at Warner Bros.
Before this deal, Grahame-Smith and Katzenberg were considered as co-directors by Lionsgate for the David O Russell-scripted Pride and Prejudice and Zombies before Craig Gillespie got the job, and Katzenberg is separately attached to direct the KatzSmith-produced From Mia With Love, a Fox comedy that the duo wrote with Kevin Chesley & Bryan Shukoff about three high school guys who are looking to lose their virginity before college, hire a Russian mail-order bride and find she has brought a lot of baggage. The film is something of an homage to Weird Science by John Hughes, one of their favorite filmmakers.
“We want to make big movies based on big ideas and inspired by the comedies we grew up loving,” the 35-year old Grahame-Smith told me. “The thing we like about Bad Robot and Imagine is that they are never pigeonholed because they do good work across a broad spectrum. We want to slowly grow into a company that follows in those footsteps.” Said Katzenberg, who’s 28: “We’re young, we’ve got a lot to learn, and we are going to have producers who help us on the first couple of big films. Warner Bros is a studio that gets behind its movies and is filmmaker-friendly.” The deal will allow them to buy material, but when possible they intend to self-generate, Katzenberg said. “We pride ourselves on coming up with a lot of our own ideas; about 90% of the projects we’ve generated in film and TV are ones we created and developed. The studio will help us bring our ideas to the finish line.”
They will give the studio first look at several projects they’re developing includingWe Three Kings, Grahame-Smith’s next novel, which is a large-scale telling of what the Three Wisemen from the Bible were actually doing in the manger that night (Grahame-Smith has turned in the book to Grand Central for an April 2012 publication, and he’s writing the script on spec with KatzSmith producing);Bryantology, in which a loser on the verge of losing his house exploits a tax loophole, invents a religion and names his home a tax-exempt place of worship. When the religion goes viral, followers show up on his doorstep and the hapless guy is suddenly a cult leader; Night of the Living, a stop-motion animated film that Grahame-Smith might script, with Burton producing along with KatzSmith. A town of peaceful monsters must learn how to fight when it is invaded by humans. KatzSmith also is producing an adaptation of Stuart Kaminsky’s novel series about 1940s Hollywood private eye Toby Peters, and Fire Teddy, a comedy script by Matthew Kaplan & Jason Leinwand that Katzenberg will direct. An underachieving nice guy is hired as a low-level employee at a corporate office. Ordered by his Machiavellian boss to fire Teddy, the newcomer can’t do it and becomes fast friends with Teddy through his futile attempts.
AMC thinks you’ll watch a weekly Walking Dead talk show. Really?
You’ve watched The Walking Dead. Maybe you’ve even live-tweeted an episode. But do you love that particular zombie world so much you’d watch a weekly talk show about it? AMC thinks so.
Apparently, AMC was so wowed by the success of its Real Housewives talk show spinoff that it’s already shot a pilot for one based on The Walking Dead. MTV’s Chris Hardwick, who recently hosted a series of Doctor Who specials for BBC America, acted as host.
According to Vulture:
This would indicate that AMC is considering a launch of the as-yet untitled project in conjunction with this October’s return of Dead, though we haven’t been able to confirm that (and it’s likely that it would be designed to air after other AMC shows, not just Dead). What’s more, because this was just a pilot, it’s possible there could be format tweaks or that Hardwick might not be a part of the project should it go to series. If AMC decides to move forward with the show in time for Dead, it would likely do so within the next few weeks.
Considering AMC’s widely reported budget woes, a talk show would be an inexpensive way to get additional hours of programming tied in to its hit shows. But the question is—are audiences who like to see zombies ripping into humans on Walking Dead going to want to watch humans ripping into zombies on a Walking Dead talk show?
Would you tune in?
You know you want them!!
The Walking Dead lens tech, Gazal Tabrizpor, shows us how those haunting zombie eyes are created in Season 2. Take a look!